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From Margin to Center: The Spaces of Installation Art
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Review
Reiss has provided a clear narration of installation art's development; her argument is clear, well researched, and well argued.―Sculpture
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Review
From Margin to Center is a much-needed first history of the development of installation art in America. Reiss's research foregrounds the importance of alternative exhibition spaces in New York in the late 1960s and 1970s and highlights the significance of these spaces as centers for political and aesthetic exchange, exploration, and experimentation. The book's important documentation of artworks and performances from this period reignites and informs consideration of the frame and context for artistic practice in today's global cultural community.―Jennifer R. Gross, Curator of Contemporary Art, Isabella Stewart Gardner Museum, BostonReiss's narration of the progress of installation from alternative to mainstream is clear, well-researched, and cogently argued. This book fills a void in the field of contemporary art.―Tom Finkelpearl, Program Director, P.S. 1 Contemporary Art CenterReiss offers a lucid argument for rethinking 'installation art' and its challenge to the repressive and restrictive terms of the modernist art object. Her revisionism is a refreshing departure from the essentially formalist canon that continues to distort the meaning and implications of the radical aesthetics of the 1960s.―Maurice Berger, Senior Fellow, The Vera List Center for Art & Politics, New School for Social Research
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Product details
Series: The MIT Press
Paperback: 208 pages
Publisher: The MIT Press; Reprint edition (October 1, 2001)
Language: English
ISBN-10: 9780262681346
ISBN-13: 978-0262681346
ASIN: 026268134X
Product Dimensions:
7 x 0.3 x 8 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#1,458,751 in Books (See Top 100 in Books)
As a VR installation artist, I really found the historical "personality" of this book enjoyable - the frustrations of the setups and how the artist interacted with the galleries. The book is very approachable, just like the art work it reflects ... and I'm sure anyone that walks into this book will come out of the experience in a different space. From a art theory viewpoint, an artists often does things that are based on the past, but doesn't realize it(for example I often used the word "Installation", but didn't know the history of the word's usage and how the transition occured). I found the book well ballanced between readable/theory/technical/enjoyment.
I have enjoyed this book and consider it well-written and an excellent source for information about the installation art genre from its early roots through 2000. I would like to have seen the images in a larger format, but the descriptions and accounts are thorough enough to help me imagine what these environments were like. Consider reading this with Clare Bishop's book "Installation Art."
Required textbook, wordy and pretentious. Love art but this book tries to hard.
bought as a gift, and my boyfriend loved it!
What is the place of art in contemporary/post-modern scenario, in the age of globalization and 'institutionalism' of art production we live in? This question has become one of the crucial subject matters to great artists and theorical authors of our time, and Mrs. Reiss appears to have the correct approach on this well-discussed aspect of contemporary art, specially from the early 70's.
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